Julla von Landsberg, Simon Borutzki, Heidi Gröger, Hofkapelle Schloss Seehaus - Early Birds (2013)
BAND/ARTIST: Julla von Landsberg, Simon Borutzki, Heidi Gröger, Hofkapelle Schloss Seehaus
- Title: Early Birds
- Year Of Release: 2013
- Label: Klanglogo
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:06:18
- Total Size: 299 mb
- WebSite: Album Preview
Tracklist
01. Ismene: Aria. Son rosignolo
02. 12 Ballads: No. 8, The Lark Sings High in the Cornfield (Arr. S. Borutzki for Soprano, Recorder & Chamber Ensemble)
03. L'Allegro, il Penseroso ed il Moderato, HWV 55: Aria. Sweet Bird (Arr S. Borutzki for Soprano, Recorder & Chamber Ensemble) [Sung in German]
04. Der Fluyten Lust-hof, Book 1: No. 27, Engels Nachtegaeltje
05. Pièces de clavecin, Book 3, 15th Ordre in A Minor: Le dodo, ou l'amour au berceau (Arr. S. Borutzki for Recorder & Theorbo)
06. Pièces de clavecin, Book 3, 14th Ordre in D Major: Le rossignol en amour (Arr. S. Borutzki for Recorder & Theorbo)
07. 9e Recueil d'airs: Rossignols amoureux
08. Pièces de viole, Book 2: La tourterelle (Arr. for Theorbo, Viola da gamba & Harpsichord)
09. Pièces de clavecin, Book 2: No. 15, L'hirondelle (Arr. S. Borutzki for Recorder & Viola da gamba)
10. Pièces de viole, Book 2: Le papillon (Arr. S. Borutzki for Recorder, Baroque Guitar & Viola da gamba)
11. Sonata al'imitatione del Rossignuolo e del Cucco
12. Rinaldo, HWV 7: Aria. Augelletti che cantate (Arr. S. Borutzki for Soprano, Recorder & Chamber Organ)
13. Didone abbandonata: Aria. L'augeletto in lacci stretto (Arr. S. Borutzki for Soprano, Recorder & Chamber Ensemble)
14. Overture in G Major, GWV 466: VI. Uccellino chiuso (Arr. S. Borutzki for Recorder, Viola da gamba & Renaissance Guitar)
15. Trauer-Music eines kunsterfahrenen Canarienvogels, TWV 20:37: Recitative. So gehet's mit der Vogel Freude
16. Trauer-Music eines kunsterfahrenen Canarienvogels, TWV 20:37: Aria. Ihr lieblichen Kanarienvogel
17. Admeto, HWV 22: Io son qual fenice (Arr. S. Borutzki for Soprano, Recorder & Chamber Ensemble)
18. Ouverture-Suite in G Major, TWV 55:G2 "La bizarre": VIII. Rossignol (Arr. S. Borutzki for Recorder & Chamber Ensemble)
Early Birds grapples with Baroque musics representation of birdsong, an ideal that was featured in music particularly effectively during this period. The recorder player Simon Borutzki has chosen works for his musical bird show that challenge his instrument: many composers from Jacob van Eyck, François Couperin and Georg Friedrich Handel to Louis Claude Daquin, from German countries, France, Italy, and England have been inspired by birds tweeting and twirping, first and foremost by the nightingale. Their music tries to package these sounds in stylised music. Borutzki performs the compositions on a number of historical recorder types which afford the creative instrumentalist with a broad range of tone colours: these include the sopranino, the fifth flute, the sixth and fourth flute, alto recorders, the voice flute, as well as tenor and bass recorders. The CDs programme can be seen as a short narration of a birds life: after a number of examples of a birds flights in freedom, the bird fights against being caged in Johann Adolph Hasses aria di bravura Laugeletto in laccistretto, and in Christoph Graupners orchestral suite in G major (GWV 466), the movement Uccellino chiuso tells of a captured bird that laments in its cage and finally drops dead from its perch. Georg Philipp Telemanns Funeral Music for a Canary Bird Experienced in Art, however, leads on to the happy ending: for the feathered friend awakens to new life in Handels aria Lo son qualfenice. Borutzkis recorder playing is joined here by Julla von Landsbergs soprano voice, Torsten Übelhörs harpsichord, Heidi Grögers cello and viola da gamba, as well as Thor-Harald Johnsens theorbo and Renaissance and Baroque guitars.
01. Ismene: Aria. Son rosignolo
02. 12 Ballads: No. 8, The Lark Sings High in the Cornfield (Arr. S. Borutzki for Soprano, Recorder & Chamber Ensemble)
03. L'Allegro, il Penseroso ed il Moderato, HWV 55: Aria. Sweet Bird (Arr S. Borutzki for Soprano, Recorder & Chamber Ensemble) [Sung in German]
04. Der Fluyten Lust-hof, Book 1: No. 27, Engels Nachtegaeltje
05. Pièces de clavecin, Book 3, 15th Ordre in A Minor: Le dodo, ou l'amour au berceau (Arr. S. Borutzki for Recorder & Theorbo)
06. Pièces de clavecin, Book 3, 14th Ordre in D Major: Le rossignol en amour (Arr. S. Borutzki for Recorder & Theorbo)
07. 9e Recueil d'airs: Rossignols amoureux
08. Pièces de viole, Book 2: La tourterelle (Arr. for Theorbo, Viola da gamba & Harpsichord)
09. Pièces de clavecin, Book 2: No. 15, L'hirondelle (Arr. S. Borutzki for Recorder & Viola da gamba)
10. Pièces de viole, Book 2: Le papillon (Arr. S. Borutzki for Recorder, Baroque Guitar & Viola da gamba)
11. Sonata al'imitatione del Rossignuolo e del Cucco
12. Rinaldo, HWV 7: Aria. Augelletti che cantate (Arr. S. Borutzki for Soprano, Recorder & Chamber Organ)
13. Didone abbandonata: Aria. L'augeletto in lacci stretto (Arr. S. Borutzki for Soprano, Recorder & Chamber Ensemble)
14. Overture in G Major, GWV 466: VI. Uccellino chiuso (Arr. S. Borutzki for Recorder, Viola da gamba & Renaissance Guitar)
15. Trauer-Music eines kunsterfahrenen Canarienvogels, TWV 20:37: Recitative. So gehet's mit der Vogel Freude
16. Trauer-Music eines kunsterfahrenen Canarienvogels, TWV 20:37: Aria. Ihr lieblichen Kanarienvogel
17. Admeto, HWV 22: Io son qual fenice (Arr. S. Borutzki for Soprano, Recorder & Chamber Ensemble)
18. Ouverture-Suite in G Major, TWV 55:G2 "La bizarre": VIII. Rossignol (Arr. S. Borutzki for Recorder & Chamber Ensemble)
Early Birds grapples with Baroque musics representation of birdsong, an ideal that was featured in music particularly effectively during this period. The recorder player Simon Borutzki has chosen works for his musical bird show that challenge his instrument: many composers from Jacob van Eyck, François Couperin and Georg Friedrich Handel to Louis Claude Daquin, from German countries, France, Italy, and England have been inspired by birds tweeting and twirping, first and foremost by the nightingale. Their music tries to package these sounds in stylised music. Borutzki performs the compositions on a number of historical recorder types which afford the creative instrumentalist with a broad range of tone colours: these include the sopranino, the fifth flute, the sixth and fourth flute, alto recorders, the voice flute, as well as tenor and bass recorders. The CDs programme can be seen as a short narration of a birds life: after a number of examples of a birds flights in freedom, the bird fights against being caged in Johann Adolph Hasses aria di bravura Laugeletto in laccistretto, and in Christoph Graupners orchestral suite in G major (GWV 466), the movement Uccellino chiuso tells of a captured bird that laments in its cage and finally drops dead from its perch. Georg Philipp Telemanns Funeral Music for a Canary Bird Experienced in Art, however, leads on to the happy ending: for the feathered friend awakens to new life in Handels aria Lo son qualfenice. Borutzkis recorder playing is joined here by Julla von Landsbergs soprano voice, Torsten Übelhörs harpsichord, Heidi Grögers cello and viola da gamba, as well as Thor-Harald Johnsens theorbo and Renaissance and Baroque guitars.
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